التثاقف وتشكيل هوية المهاجر في مسرحية (طازجة من القارب) لديفيد هنري هوانك

Al-Sammarraie, M. N. N. & Ismael, N. A. (2022). Cultural adaptation: A study in selected poems of Victor Hernandez Cruz. Al-Adab Journal, 142 (2), 37-46. https://doi.org/10.31973/aj.v2i142.3797 DOI: https://doi.org/10.31973/aj.v2i142.3797

Berry, J. W. (2009). A critique of critical acculturation. International Journal of Intercultural Relations, 33(5), 361–371. https://doi.org/10.1016/j.ijintrel.2009.06.003 DOI: https://doi.org/10.1016/j.ijintrel.2009.06.003

Berry, J. W. (1992). Acculturation and adaptation in a new society. International Migration, 30, 69-69. DOI: https://doi.org/10.1111/j.1468-2435.1992.tb00776.x

Berry, J. W., & Sam, D. L. (1997). Acculturation and adaptation. In J. W. Berry, M. H. Segall, & C. Kagitcibasi (Eds.), Handbook of cross-cultural psychology: Vol. 3. Social behavior and applications (2nd ed., pp. 291-326). Allyn & Bacon.

Boles, W. C. (2013). Understanding David Henry Hwang. University of South Carolina Press. DOI: https://doi.org/10.1353/book27310

Chae, M. H. (2001). Acculturation conflicts among Asian Americans: Implications for practice. The New Jersey Journal of Professional Counseling, 56(1), 24–30.

Causadias, J. M., & Korous, K. M. (2019). Racial discrimination in the United States: A national health crisis that demands a national health solution. Journal of Adolescent Health, 64(2), 147–148. https://doi.org/10.1016/j.jadohealth.2018.11.001 DOI: https://doi.org/10.1016/j.jadohealth.2018.11.001

Hwang. D. H. (2000). Trying to find Chinatown: The selected plays of David Henry Hwang. Theatre Communications Group. DOI: https://doi.org/10.5040/9781636700892.00000094

Harte, B. (2023). The Heathen Chinee. BoD – Books on Demand. (Original work published 1870)

Huang, G. (2006). The Columbia Guide to Asian American Literature Since 1945. Columbia University Press.

Huntley, E. D. (2009). Amy Tan and Asian American literature. In H. Bloom (Ed.) Modern critical views: Asian - American writers (pp. 43–61). Infobase Publishing.

Ithawi, H. N. H. (2018). Arab-American playwrights: Hyphenated identities and cultural in-betweenness. [Doctoral dissertation, University of Texas at Austin]. University of Texas Digital Repository. https://repositories.lib.utexas.edu/server/api/core/bitstreams/79aaa03e-95f1-4eb2-8970-71c6711713dc/content

Johnson, M. (2017). Performing American identity: the plays of David Henry Hwang [Doctoral dissertation, University of East Anglia]. University of East Anglia.

Kim, U., & Chun, M. B. (1994). Educational success of Asian Americans: An indigenous perspective. Journal of Applied Developmental Psychology 15, 328–342. DOI: https://doi.org/10.1016/0193-3973(94)90035-3

Krasner, D. (2007). A companion to twentieth-century American drama. Blackwell. DOI: https://doi.org/10.1111/b.9781405110884.2006.00003.x

Lee, E, K. (2011). A history of Asian American theatre. Cambridge University Press.

Lee, E. K. (2015). The theatre of David Henry Hwang. Bloomsbury Publishing. DOI: https://doi.org/10.5040/9781408185667

Lee, J. (1998). Performing Asian America: Race and ethnicity on the contemporary stage. Temple University Press.

Lowe, L. (1996). Immigrant acts: on Asian American cultural politics. Duke University Press. DOI: https://doi.org/10.1215/9780822379010

Lawrence, C. (2020). Is Lennie a monster? A reconsideration of Steinbeck’s of Mice and Men in a 21st century inclusive classroom context. Palgrave Communications, 6(1). https://doi.org/10.1057/s41599-020-0393-8 DOI: https://doi.org/10.1057/s41599-020-0393-8

Moss-Coane, M. & Timpane, J. (1996). David Henry Hwang. In P. C. Kolin and C. H. Kullman (Ed.) Speaking on stage: Interviews with contemporary American playwrights, pp. 277–90. University of Alabama Press.

Oyserman, D. & Sakamoto, I. (1997). Being Asian American: Identity, cultural constructs, and stereotype perception. Journal of Applied Behavioral Science, 33(4), 435 453. https://doi.org/10.1177/0021886397334002 DOI: https://doi.org/10.1177/0021886397334002

Park, K. (1997). The Korean American dream: Immigrants and small business in New York city. Cornell University Press. DOI: https://doi.org/10.7591/9781501724558

Rychyk, Y. (2021). The social construction of the characters’ identities in the trilogy by David Henry Hwang: An intersectional approach. [Master’s thesis, University of Tartu]. https://dspace.ut.ee/server/api/core/bitstreams/ea8a94d6-9484-40d5-8487-761e53f3e889/content.

Sollors, W. (1996). Theories of ethnicity: a classical reader. New York University Press. DOI: https://doi.org/10.1007/978-1-349-24984-8

Salem, H. (2021). Bicultural identity in David Hwang’s FOB and Yellow Face. European Journal of English Language and Literature Studies, 9(7), 1–10.

Taha, A. A. (2018). Arab-American diaspora and the “Third Space”: A study of selected poems by Sam Hamod. English Language and Literature Studies, 8(2), 29. https://doi.org/10.5539/ells.v8n2p29 DOI: https://doi.org/10.5539/ells.v8n2p29

Wang, V., & Marsh, F. (1992). Ethical principles and cultural integrity in health care delivery: Asians’ ethnocultural perspectives in genetic services. Journal of Genetic Counseling, 1, 81–92. https://doi.org/10.1007/BF00960087 DOI: https://doi.org/10.1007/BF00960087