Al-Adab Journal <p><strong><a href=""><label class="pkpFormFieldLabel" for="masthead-onlineIssn-control">E-ISSN: </label></a><span style="font-size: 0.875rem;"><a href="">2706-9931</a> </span><a href=""><label class="pkpFormFieldLabel" style="font-size: 0.875rem;" for="masthead-printIssn-control">P-ISSN: </label><span style="font-size: 0.875rem;">1994-473X</span></a></strong></p> <p>A scientific academic peer-review Journal published by <a href="">College of Arts</a>, <a href="">University of Baghdad</a>.</p> <p>It is edited regularly within a specific time. Four issues per year in March, June, September and December.</p> <p>Al-Adab journal is specified for publishing the researches and studies related to various <strong>Humanities fields</strong>.</p> Baghdad University - College of Arts en-US Al-Adab Journal 1994-473X <p><strong>Copyright and Licensing:</strong><br>For all articles published in Al-Adab journal, copyright is retained by the authors. Articles are licensed under an open access <a href="" target="_blank" rel="noopener"><strong>Creative Commons CC BY 4.0 license</strong></a>, meaning that anyone may download and read the paper for free. In addition, the article may be reused and quoted provided that the original published version is cited. These conditions allow for maximum use and exposure of the work.</p> <p><strong>Reproducing Published Material from other Publishers:&nbsp;</strong>It is absolutely essential that authors obtain permission to reproduce any published material (figures, schemes, tables or any extract of a text) which does not fall into the public domain, or for which they do not hold the copyright. Permission should be requested by the authors from the copyrightholder (usually the Publisher, please refer to the imprint of the individual publications to identify the copyrightholder).</p> <p><strong>Permission is required for:&nbsp;</strong>Your own works published by other Publishers and for which you did not retain copyright.<br>Substantial extracts from anyones' works or a series of works.<br>Use of Tables, Graphs, Charts, Schemes and Artworks if they are unaltered or slightly modified.<br>Photographs for which you do not hold copyright.</p> <p><br><strong>Permission is not required for:&nbsp;</strong>Reconstruction of your own table with data already published elsewhere. Please notice that in this case you must cite the source of the data in the form of either "Data from..." or "Adapted from...".<br>Reasonably short quotes are considered fair use and therefore do not require permission.<br>Graphs, Charts, Schemes and Artworks that are completely redrawn by the authors and significantly changed beyond recognition do not require permission.<br>Obtaining Permission</p> <p>In order to avoid unnecessary delays in the publication process, you should start obtaining permissions as early as possible. If in any doubt about the copyright, apply for permission. Al-Adab Journal cannot publish material from other publications without permission.</p> <p>The copyright holder may give you instructions on the form of acknowledgement to be followed; otherwise follow the style: "Reproduced with permission from [author], [book/journal title]; published by [publisher], [year].' at the end of the caption of the Table, Figure or Scheme.</p> Sequence construction in Ali Al-Hadithi Novels <p>This study dealt with the subject of the composition of the sequence in the narrations of (Ali Al-Hadithi) due to the richness of his narrations with this narrative structure. The narrator used this novelistic construction to present the events of some of his novels. He began by presenting the events from the beginning, which is the starting point of the event, then a knot, which is the development of the event, and then the end, which is the solution. The construction of the sequence is dominant over the narrations of (Ali al-Hadithi). This construction is also known as (traditional construction), or (linear construction) to link events. The aim of this study is to reveal the structure of the event sequentially, depending on the chronology of events and their development.</p> Amal Mohammed Jabr Zainab Abdulmahdi Copyright (c) 2023 2023-03-16 2023-03-16 1 144 1 16 10.31973/aj.v3i144.4085 Visions of Beauty in the Writings of Dr. Hamida Salih Al-Baldawi <p>&nbsp;Andalusian poets were able to select aesthetic values from two main sources: nature and man, all of which come through the sensation, harmony and harmony between the poet and the recipient, nature has always influenced the poet through his awareness of its beauty and the extent to which his loving soul is connected to it. The Andalusian poet loved his nature with all its contents, making its moving and static parts aesthetic values of glory and immortality in his poems, until it was known by highlighting all the aesthetic values of nature; and then we found him sharing it with his human feelings in his love and the happiness and misery he feels, making nature with all its molecules his participation in this feeling. Hence our research found paintings that had been written by a creative painter where colors and shadows, provided by the poet with the rhythm and colors of life: calm and noisy, and made it a vibrant heart to live in memories of the past and achieve aesthetic experience in various artistic ways.</p> Evian Fawzi Saeed Jinan Q. Farhan Copyright (c) 2023 2023-03-15 2023-03-15 1 144 35 52 10.31973/aj.v3i144.4084 The dramatic poetic form in the book of Al-Diyarat by Al-Sabhani <p>The beginnings of drama were related to human life, which made it a literary genre inherent to its production in successive ages; And that as a contact with human issues, by re-imagining reality in a literary way that affects the recipient, and by involving many personalities to complete the dramatic work. Therefore, drama was considered one of the most influential arts compared to other arts. Because language is the basis for expression, and this is something that is not found in the rest of the arts, as it contains contemplation and intellectual and emotional disclosure that we do not see in others, as it involves under the style of narration, whether it is poetic or prose narration. His way the theatrical expression takes place at its first appearance, and thereafter the dramatic poetic expression, which is related to thought and social customs among individuals, praising the beautiful behavior, and criticizing the defects of the individual in society, as he combines between highlighting the poet's soul and presenting the story of the audience, at the same time he does not forget to link The reader’s imagination with the feeling of the poet and the community, so that a group of dramatic voices and situations appear to the reader through both types of dialogue and the psychological conflict that dominated the poet at one time, by framing it in a poetic and emotional and dramatic image and presenting it to the reader; To feel the places of its beauty, with the aim of being affected by it and keeping it stuck in his mind.</p> Dalal Maan Abdullah Salah Kadhim Hadi Copyright (c) 2023 2023-03-15 2023-03-15 1 144 17 34 10.31973/aj.v3i144.4083