The followers in the feminist directing experience in the contemporary theater
((Awateef Naim example))
DOI:
https://doi.org/10.31973/aj.v2i132.667Keywords:
Awateef NaimAbstract
The research deals with the most important types of directing experiments for the feminist theater, and the mechanism of women as a director of her own creative art industry is different from the director's achievement that affected her. The study came to analyze this achievement in four chapters. The second topic included the first researcher presented what the feminist theater and its history and experiences and the second researcher touched through this study to the experiences of women as a theater director and what are its achievements and its effects on creativity in the global arena In the third chapter, the researcher identified the research community and chose the sample director (Awatif Naim), which formed part of the feminist theater experiments and the method of sample analysis of the fourth chapter researcher extracted the results of his research and achieve the objective of the study as well as the conclusions and the list of sources, references and abstract in English.
Received: 02/12/2019
Accepted: 23/01/2020
Published: 15/3/2020
Downloads
References
Ibrahim Mustafa and others: The Intermediate Dictionary, I / 4, (Egypt - Arabic Language Academy, Al-Shorouk International Library - 2004)
Ibn Faris: Lexicon of Language Standards, M / 1, investigation: Abd al-Salam Muhammad Harun, (Cairo-Dar al-Fikr for printing and publishing -1979).
Ahmad Mukhtar Omar: A Dictionary of Contemporary Arabic Language, Vol.1, I / 1, (Cairo - World of Books for Publishing and Distribution - 2008).
Andre Laland: Laland's Philosophical Encyclopedia, Vol. 1, Arabization: Khalil Ahmed Khalil, (Aweidat Publications - Beirut).
Thomas, Vid: The Philosophical Encyclopedia, Ter: Samir Bin Muhammad, (Oran, Dar Al Fanar Printing and Publishing -1988)
Rawhi Al-Baalbaki: Al-Mawred Dictionary, Arabic and English, 7th edition (Beirut, Lebanon, Dar Al-Alam for Millions, 1995).
Sami Abdul Hamid: The Innovations of Dramatists in the Twentieth Century, (Baghdad: Al-Fateh Library - 2006)
Foca, Sofia and Rebecca Wright, After the Feminist Movement, I / 1, T: Sherine Abu El-Naga (Cairo, National Center for Translation-2005),
Christopher, Ainz, Avant-garde Theater, Ter: Sameh Fekry (Cairo: Academy of Arts, Center for Language and Translation, 1994)
Kitsy, Katherine, Women and the Women's Movement in Drama in the Age of Reform, Ter: Sahar Farraj, (Cairo, Supreme Council of Antiquities Press - 2006).
Megan Al-Ruwaili, Saad Al-Bazai, Literary Critic Guide, Illumination of more than seventy current and a contemporary monetary term, 3rd edition, (Casablanca: Arab Cultural Center, 2002).
Watkins, Susan Ales, Maryza Rouwaida and Marta Rod Rigor, The Feminist Movement, 1st floor: Jamal Al Jaziri, (Cairo, Supreme Council for Culture-2005)).
. Samir, Sarhan: New Experiences in the International Theater, Live Theater, Theater Magazine, Cairo, No. 60, March 1969,
. Personal interview conducted by the researcher with Awatef Naeem in Baghdad - National Theater on Sunday 9/22/2019.
. http://www.ahewar.org/debat/show.art.asp?aid=76851&r=0 Yassin Al-Nusair, Confused Speech, Civilized Dialogue
https://www.azzaman.com/ Questions-modern-in-theater-Yassin-Al-Nusair
Downloads
Published
Issue
Section
License
Copyright and Licensing:
For all articles published in Al-Adab journal, copyright is retained by the authors. Articles are licensed under an open access Creative Commons CC BY 4.0 license, meaning that anyone may download and read the paper for free. In addition, the article may be reused and quoted provided that the original published version is cited. These conditions allow for maximum use and exposure of the work.
Reproducing Published Material from other Publishers: It is absolutely essential that authors obtain permission to reproduce any published material (figures, schemes, tables or any extract of a text) which does not fall into the public domain, or for which they do not hold the copyright. Permission should be requested by the authors from the copyrightholder (usually the Publisher, please refer to the imprint of the individual publications to identify the copyrightholder).
Permission is required for: Your own works published by other Publishers and for which you did not retain copyright.
Substantial extracts from anyones' works or a series of works.
Use of Tables, Graphs, Charts, Schemes and Artworks if they are unaltered or slightly modified.
Photographs for which you do not hold copyright.
Permission is not required for: Reconstruction of your own table with data already published elsewhere. Please notice that in this case you must cite the source of the data in the form of either "Data from..." or "Adapted from...".
Reasonably short quotes are considered fair use and therefore do not require permission.
Graphs, Charts, Schemes and Artworks that are completely redrawn by the authors and significantly changed beyond recognition do not require permission.
Obtaining Permission
In order to avoid unnecessary delays in the publication process, you should start obtaining permissions as early as possible. If in any doubt about the copyright, apply for permission. Al-Adab Journal cannot publish material from other publications without permission.
The copyright holder may give you instructions on the form of acknowledgement to be followed; otherwise follow the style: "Reproduced with permission from [author], [book/journal title]; published by [publisher], [year].' at the end of the caption of the Table, Figure or Scheme.
How to Cite
