The effectiveness of contradiction in the paradoxes of the Fittori
DOI:
https://doi.org/10.31973/aj.v0i128.386Keywords:
he effectiveness of contradiction, paradox, paradox in literature, the paradoxes of the VeturiAbstract
Praise be to Allah, Lord of the Worlds, and prayers and peace be upon the best messengers and on his family and companions, and after ...
This study is characterized by the (effectiveness of contrast in vitro poetry) ideas and thoughts gathered in the minds of scholars to establish a line in which to speak of a statement of poetry associated with the moral evidence in his forms and interviews that sense sense in terms of meaning and meaning in accordance with the character of the image is striking, so came the paradoxes of the great poet that His name was associated with Africa before he was associated with his country Sudan, the poet who carried the concerns of a whole country and explored his poetic poem to highlight the most important patriotic poems that sang the love of homelands in accordance with the method of drawing meaning, but an artist who possessed the types of knowledge Bdaia and statement until he got his admiration of the student And we were another title for another study that the Arab library is proud of with some knowledge of the splendor of its poetry.
Due to the nature of the technical study with a descriptive approach, the plan was divided on different topics related to the structure of the study and its problem and the conclusion includes the most important results of the study. The researchers relied on a number of sources and references, including the poet's poetry, the irony of myweek, We ask Allaah to make the payment in the offering and the discussion, and he is the guardian of that and capable of it.
Downloads
References
أديب الأسطورة عند العرب ، فاروق خورشيد ، مكتبة الثقافة ، مصر ، ط 1، 2004م.
التصوير الفني في شعر محمود حسن إسماعيل، د.مصطفى السعدني، منشأة المعارف ، القاهرة ، مصر ، ط1 ، ( د.ت ) .
ديوان أبي ذؤيب الهذلي ، تحقيق : د.حسين نصار ، دار التراث ، مصر ، القاهرة ، ( د.ت ).
ديوان أبي نواس ( الحسن بن هانئ الحكمي ) ، تحقيق : إيفالدفاغنر ، مطبعة مؤسسة البيان ، بيروت ، لبنان ، ط2، 2001م .
ديوان المتنبي، أحمد بن الحسين ، شرح العكبري ، دار الأحياء ، القاهرة ، مصر ، ط1، 1992م.
السؤال عن الشيء، مارتن هايدغر ، ترجمة : د.إسماعيل المصدق ، المنظمة العربية للترجمة ، بيروت ، لبنان ، ط1، 2012م .
شعر عبد الوهاب البياتي والتراث ، سامح الرواشده ، منشورات وزارة الثقافة ، ط1، 1996م.
لسان العرب ، ابن منظور ، دار صادر ، بيروت ، لبنان ، ط1، 1922م .
محمد الفيتوري والمرايا الدائرية ، نجيب صالح ، الدار العربية للموسوعات ، ط1، 1984م .
المستحيل الممكن، دراسة أسلوبية موضوعية في قصيدة ( أنا مع الإرهاب ) ، نزار قباني، د.أحمد عبد الجبار فاضل ، بغداد ، 2017م .
معجم المصطلحات الأدبية المعاصرة ، د.سعيد علوش ، دار الكتاب اللبناني ، بيروت ، ط1، 1985م .
المفارقة، د.سي ميويك ، ترجمة : د.عبد الواحد لؤلؤة ، المؤسسة العربية للدراسات والنشر، بيروت ، لبنان ، ط1، 1993م .
المفارقة في شعر الرواد ، د.قيس حمزة فالح ، دار الأرقم للطباعة والنشر ، بابل ، العراق، ط1، 2007م.
المفارقة في النص الروائي نجيب محفوظ نموذجاً ، حسن حماد ، المجلس الأعلى للثقافة ، القاهرة ، مصر ، ط1، 2005م .
المفارقة القرآنية دراسة في بنية الدلالة ، د.محمد العبد ، مكتبة الآداب ، القاهرة ، مصر ، ط2، 2006م .
المفارقة والأدب، د.خالد سليمان، دار الشروق للنشر، ط1، عمان، الأردن، 1999م .
Published
Issue
Section
License
Copyright and Licensing:
For all articles published in Al-Adab journal, copyright is retained by the authors. Articles are licensed under an open access Creative Commons CC BY 4.0 license, meaning that anyone may download and read the paper for free. In addition, the article may be reused and quoted provided that the original published version is cited. These conditions allow for maximum use and exposure of the work.
Reproducing Published Material from other Publishers: It is absolutely essential that authors obtain permission to reproduce any published material (figures, schemes, tables or any extract of a text) which does not fall into the public domain, or for which they do not hold the copyright. Permission should be requested by the authors from the copyrightholder (usually the Publisher, please refer to the imprint of the individual publications to identify the copyrightholder).
Permission is required for: Your own works published by other Publishers and for which you did not retain copyright.
Substantial extracts from anyones' works or a series of works.
Use of Tables, Graphs, Charts, Schemes and Artworks if they are unaltered or slightly modified.
Photographs for which you do not hold copyright.
Permission is not required for: Reconstruction of your own table with data already published elsewhere. Please notice that in this case you must cite the source of the data in the form of either "Data from..." or "Adapted from...".
Reasonably short quotes are considered fair use and therefore do not require permission.
Graphs, Charts, Schemes and Artworks that are completely redrawn by the authors and significantly changed beyond recognition do not require permission.
Obtaining Permission
In order to avoid unnecessary delays in the publication process, you should start obtaining permissions as early as possible. If in any doubt about the copyright, apply for permission. Al-Adab Journal cannot publish material from other publications without permission.
The copyright holder may give you instructions on the form of acknowledgement to be followed; otherwise follow the style: "Reproduced with permission from [author], [book/journal title]; published by [publisher], [year].' at the end of the caption of the Table, Figure or Scheme.
How to Cite
