Literary and intellectual features of social symbolism in Frough Farrokhzad's poetry
DOI:
https://doi.org/10.31973/aj.v1i138.1725Keywords:
What is symbolism, social symbolism in Persian poetry, Literary features in Frough's poetry, Characteristics of content and thoughtAbstract
It can be said that contemporary symbolic poetry is social poetry that has a realistic view of society and human social status. Symbolism is the art of expressing thoughts and emotions through use of symbols to evoke feelings and ideas in the reader's mind. Therefore, the poets' goal of using symbolism in their poetry is to resolve the conflict between the material and moral worlds.
Frough Farrokhzad paid great attention to symbolic poetry, as she expressed her social reality through her poems. She wrote most of her poems in the field of symbolism, that is, she used symbols to express the social conditions that the country was going through due to political failures. Therefore, her poems contained a variety of different social themes, full of social criticism of the conditions in which people live.
Downloads
References
Ali Baba Shahi (1367 A.D.), Punjat Waheft Sal, Nawa Persian poetry, Eden 25.
Cyrus Safavi (1366), Najahi Taza with the meaning of Shinasi, part 1, Tehran: Center publication.
Dariush Mimar (1389), Tarifiq Jami (An analysis of the effects of Seizdeh Sha'ar Nobardaz as Nima Ta Emroz), Tehran: Ansharat Negah.
Dr. Behrouz Jalali (1357), Jawdana Zestin, Dr. Uj Manden, part 2, Murrayd publications.
Dr. Cyrus Shamisa (1357), Nagahi Beh Forough Farrokhzad, part 2, Murrayd publications.
Dr. Hamid Zarin Koop (1352), Cheshem Andaz Poetry in No-Persian, Tehran: Toos Spreads.
Dr. Muhammad Reda (1379), The Biography of the Transformation of Persian Ghazal as Conditionally t Inqilab Islamic, Part 1, Rozbah Publishing.
Frough Farrokhzad (1379), Diwan, preface by Behrouz Jalali, Chap Haftam, Tehran: Marwarid Spreads.
Frough Farrokhzad(1368),Diwan, Nuwayd (West German) publications, Jol, Farvardin.
Gholamhossein Yousfi, Cheshmeh Roshan, part 1, Scientific publications.
Hanar's notebook, Wijeh Forough Farrokhzad, Sal Awal, Shamara 2, Shahryor, 1373.
Hassan Anousheh (1376), Farhangnameh literary Persian (Danshanama literary Persian), Tehran: Sazman Chap and publications of the Ministry of Farhang and Islamic guidance.
Hossein Pour Javi (1390), Gharyanhai Poetry Contemporary Persian as Kudta(1332) Ta Enghelab(1357), Chap Som, Tehran: The publications of Amir Kabir.
Jalal Satari (1372), Madkhali Bar Ramz Shinasi Erfani, part 1, Tehran: Center publication.
Jalal Satari,(1374), Namad and Namish, vol. 1, Tehran: Tous Publishing.
Journal of Ferdowsi Shamara, High Esfand, 849, 1346.
M. Loeffler Dallashaw (1364), Zaban Ramzi Afsaneh Ha, Translated by: Dr. Jalal Satari, Chap Awal, Tehran: Toos publications.
Mahmoud Fattohi (1386), Balaghat Photography, Chap Ulf Tehran: Insrat Sokhn.
Mansur Tharwat (1387), Ashnai Ba Literary Library, Chap Dom, Tehran: Sokhn publications.
Muhammad Huqqi (1377), Poetry of Nawaz Aghaz Ta Emroz, part 2, third publication, Ba Hamkari, Yoshij Publishing.
Reza Brahni (1371), Tala Dar Misr (Poetry and Poetry), part 1, Tehran: Nuwaisandeh Publisher.
Reza Seyed Hosseini (1389), My Book of Literature, Part 2, Chap Shanzdham, Tehran: Agha Publishing.
Seyyed Mahdi Zarkani (1383), Cheshem Andaz, contemporary poetry of Iran, part I, Tehran: Third Publishing.
Shams Langroudi (1390), Analytical History of Nou poetry, Dom skin, Chap Sheshem, Tehran: Center publication.
Taqi Purnamdarian (1368), Razm wadastanha Ramz dar dab Farsi, Chap Som, Tehran: Scholarly and Farangi publications.
Taqi Purnamdarian (1377), Khana Um Abri Ast, Part 2, Tehran: Soroush.
Yaqoub Aghand (1363), Novin Literature, Iran, part 1, Tehran: Amir Kabir.
Downloads
Published
Issue
Section
License
Copyright and Licensing:
For all articles published in Al-Adab journal, copyright is retained by the authors. Articles are licensed under an open access Creative Commons CC BY 4.0 license, meaning that anyone may download and read the paper for free. In addition, the article may be reused and quoted provided that the original published version is cited. These conditions allow for maximum use and exposure of the work.
Reproducing Published Material from other Publishers: It is absolutely essential that authors obtain permission to reproduce any published material (figures, schemes, tables or any extract of a text) which does not fall into the public domain, or for which they do not hold the copyright. Permission should be requested by the authors from the copyrightholder (usually the Publisher, please refer to the imprint of the individual publications to identify the copyrightholder).
Permission is required for: Your own works published by other Publishers and for which you did not retain copyright.
Substantial extracts from anyones' works or a series of works.
Use of Tables, Graphs, Charts, Schemes and Artworks if they are unaltered or slightly modified.
Photographs for which you do not hold copyright.
Permission is not required for: Reconstruction of your own table with data already published elsewhere. Please notice that in this case you must cite the source of the data in the form of either "Data from..." or "Adapted from...".
Reasonably short quotes are considered fair use and therefore do not require permission.
Graphs, Charts, Schemes and Artworks that are completely redrawn by the authors and significantly changed beyond recognition do not require permission.
Obtaining Permission
In order to avoid unnecessary delays in the publication process, you should start obtaining permissions as early as possible. If in any doubt about the copyright, apply for permission. Al-Adab Journal cannot publish material from other publications without permission.
The copyright holder may give you instructions on the form of acknowledgement to be followed; otherwise follow the style: "Reproduced with permission from [author], [book/journal title]; published by [publisher], [year].' at the end of the caption of the Table, Figure or Scheme.