The Concept of Sadness and distress in the poetry of Ahmet Hamdi Tanpınar
DOI:
https://doi.org/10.31973/aj.v2i138.1374Keywords:
sadness, fate, depression, mourning, Ahmet Hamdi Tanpınar, passion, psychology, sadness psychology, poetry, poet, sadness recognitionAbstract
Ahmet Hamdi Tanpınar is considered one of the successful Turkish authors in the twentieth century. Undoubtfully, he left his own print during the age he lived in. He wrote several books in several literary fields like poetry, novel, short story, essay writing and analysis. Although he wrote so many literary works in several fields, we often know him as a poet. I decide to make my research paper deal with the concept of sadness and distress which is the main subject for our paper. It reflects the nature of Turkish society. The reason behind that is the condition of sadness and pains in the Turkish history. Turkish people suffered from persecution and pain from the beginning of their settlement in central Asia. This resulted in deep wounds. Accordingly, the poet made use of sadness and agonies in his literary texts. We can also notice that Ahmet Hamdi Tanpınar is a poet and scholar in the history of literature. Hence, the poet who knows his history well, he will witness more sadness and distress. This will include, without any doubts, those two concepts intensively in his works. It is noteworthy that the poet introduced a few works in this field because of his accuracy in poetry. Ahmet Hamdi Tanpınar is considered one of the pioneer figures in psychology. This is why we see that the poet deals with the concept of sadness and distress in a very wonderful way in his poems. This is clear in his writings about human psychology.
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References
Akün Ömer Faruk, “Ahmet Hamdi Tanpınar”, İstanbul 1963.
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Cumalı Necati, “Tanpınar’ın Şiirleri”, Varlık Dergisi, sayı 548, İstanbul 1961.
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Türkiye Diyanet Vakfı İslam Ansiklopedisi ‘’TANPINAR, Ahmet Hamdi'’ maddesi, 39. Cilt, İstanbul 2010.
Ülken Hilmi Ziya, “Düşünür Bir Şairin Edebiyat Tarihi”, Yeni İnsan Dergisi, sayı 66, İstanbul 1968.
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