Reliving the Past for Recreating the Present in Margaret Atwood's Selected Poems
DOI:
https://doi.org/10.31973/aj.v1i130.647Keywords:
Margaret AtwoodAbstract
For centuries poets tend to utilize the past in their poetry, however their approaches are various. The Canadian icon and phenomenal poet and novelist Margaret Atwood's approach is unique as she revise while others simply retell past stories. She delves deeply into the rich past, reliving its stories whether it was taken from myths, history, or fairy tales, revising them to present a new version of the old stories, but this time from women's perspective. She invested heavily in the past to recreate something new, something that is going to make the present liveable and to fortify the future.
Her literary oeuvre is rich with revised poems. The poems usually tackle serious issues that affect the lives of women. She chooses the victimized muted misrepresented female protagonists, those who were silenced and subjugated by patriarch society, revising them and endows them with voices, awareness, power, free-will and autonomous identity. Reliving the past and recreating of the gendered prescribed roles is a means of survival that will help women to properly live the present and ensure a better future.
Downloads
References
Appleton, Sarah A. ed. Once upon a Time Myth, Fairy Tales and Legends in
Margaret Atwood’s Writings. Newcastle upon Tyne: Cambridge Scholars Publishing, 2008.
Atwood, Margaret. In Search of Alias Grace: on Writing Canadian Historical Fiction. Ottawa: University of Ottawa Press,1997.
------------. Morning in the Burned House. Boston: Houghton Mifflin Company,1995.
------------. Selected Poems II: 1976 – 1986 . Boston: Houghton Mifflin Company,1987.
------------. "The Curse of Eve--Or, What I Learned in School ",Canadian Woman Studies, 1( 3) 1979, 13-26.
------------. Selected Poems, 1965-1975. Boston: Houghton Mifflin Company,1976.
------------. Survival: A thematic Guide to Canadian. Toronto: Anansi, 1972.
Benson, Stephen, ed. Contemporary Fiction and the Fairy Tale. Detroit: Wayne State University Press,2008.
Dorschel ,Funda Basak. “Female Identity: Rewritings of Greek and Biblical Myths by Contemporary Women Writers". PhD thesis. Middle East Technical University,2011.
Leigh House, Veronica " Backward to Your Sources, Sacred Rivers: A Transatlantic Feminist Tradition of Mythic Revision". PhD thesis. The University of Texas at Austin, 2006 .
Massoura, Kiriaki "The Politics of Body and Language in the Writing of Margaret Atwood". PhD thesis. University of York, 2001.
Mathew, Rani "Revision as Art and Medium: A Study of Revisionist Mythmaking in Feminist English Poetry". PhD thesis. University of Sanskrit, 2011.
Ostriker, Alicia. The Thieves of Language: The Emergence of Women's Poetry in America. London: Women's Press ,1987.
Ramaiya, Nita P. "The Exploration of the Self in the Poetry of Margaret Atwood". PhD thesis. S.N.D.T. Women's University, 1995.
Pylvainen, Tina "Dawn of Discovery: Margaret Atwood's Morning in the Burned House". MA thesis. Lakehead University, 1996.
Tatar, Maria. The Hard Facts of the Grimm’s Fairy Tales.Princeton: PrincetonUniversity Press, 1987.
Wainwright, Jeffrey. "Female Metamorphoses: Carol Ann Duffy's Ovid". Choosing Tough Words': The Poetry of Carol Ann Duffy, edited by Angelica Michelis and Antony Rowland. Manchester :Manchester UP, 2003, pp. 47-55.
Downloads
Published
Issue
Section
License
Copyright and Licensing:
For all articles published in Al-Adab journal, copyright is retained by the authors. Articles are licensed under an open access Creative Commons CC BY 4.0 license, meaning that anyone may download and read the paper for free. In addition, the article may be reused and quoted provided that the original published version is cited. These conditions allow for maximum use and exposure of the work.
Reproducing Published Material from other Publishers: It is absolutely essential that authors obtain permission to reproduce any published material (figures, schemes, tables or any extract of a text) which does not fall into the public domain, or for which they do not hold the copyright. Permission should be requested by the authors from the copyrightholder (usually the Publisher, please refer to the imprint of the individual publications to identify the copyrightholder).
Permission is required for: Your own works published by other Publishers and for which you did not retain copyright.
Substantial extracts from anyones' works or a series of works.
Use of Tables, Graphs, Charts, Schemes and Artworks if they are unaltered or slightly modified.
Photographs for which you do not hold copyright.
Permission is not required for: Reconstruction of your own table with data already published elsewhere. Please notice that in this case you must cite the source of the data in the form of either "Data from..." or "Adapted from...".
Reasonably short quotes are considered fair use and therefore do not require permission.
Graphs, Charts, Schemes and Artworks that are completely redrawn by the authors and significantly changed beyond recognition do not require permission.
Obtaining Permission
In order to avoid unnecessary delays in the publication process, you should start obtaining permissions as early as possible. If in any doubt about the copyright, apply for permission. Al-Adab Journal cannot publish material from other publications without permission.
The copyright holder may give you instructions on the form of acknowledgement to be followed; otherwise follow the style: "Reproduced with permission from [author], [book/journal title]; published by [publisher], [year].' at the end of the caption of the Table, Figure or Scheme.