The implicit layout of the dramatic character and its dimensions in the contemporary Iraqi theater text
DOI:
https://doi.org/10.31973/aj.v0i134.1077Keywords:
format, drama, dimensions, theatrical textAbstract
This research aims to investigate the implicit format of the dramatic personality, as it constitutes the manifestations of the appointment of the writer in order to bring the selected human entity closer, Where the theatrical text is established within the discourse format of reality from a disguised region that expresses the human psyche, including its tendencies and emotions interspersed with an inter-intellectual debate between the folds of society and cultural components, Its implicit pattern has become one of the most prominent early concepts in monitoring the contradiction of reality, which reflects its image in a way that may not express in all its apparent value towards understanding the reality of human existence. The current research included in it topics of theatrical criticism and its aesthetic and artistic peculiarities. As for its methodological architecture, it was divided into four chapters that included the first chapter, the methodological framework for research that includes, the research problem and the need for it, the importance of research, the aim of the research, and the first chapter concluded by defining the main terms of the research, The second chapter, the theoretical framework, and previous studies included two topics, the first topic came under the title: The implicit format of the theatrical personality, and the second topic titled the dramatic dimensions of the character, followed by what the theoretical framework produced from the indicators and review of the most prominent previous studies. The third chapter (Research Procedures) came to include, the research method, the research tool, the research community, the research sample, the method of selecting a sample, and analyzing the sample. In the fourth chapter, the researcher determined the results, and then the research findings, recommendations and proposals, then a list of research sources followed.
Downloads
References
Abd Al-Khaleq, Ahmad Muhammad (without history): the basic dimensions of the character, Dar Al-Maarefa University Publications, Fourth Edition, Alexandria.
Abdel Kafi, Ismail Abdel-Fattah (2006): Glossary of the terms of the globalization era, cultural for publication and distribution, Cairo.
Akadios, Anis Fahmy (undated): cinema, theater and psychiatric illness, Dar Al-Maarif, Cairo.
Al-Ani, Nizar Muhammad Saeed (1989): Spotlight on the Human Personality, House of Public Affairs, First Edition, Baghdad.
Al-Khatib, Imad Ali Salim (2009): In Modern Literature and Criticism: Presentation, Documentation, and Application, Al-Masirah House for Publishing, Distribution, and Printing.
Alloush, Saeed (1985): A Dictionary of Contemporary Literary Terms, Lebanese Book House, First Edition, Beirut.
Bakathir, Ali Ahmed (undated): The art of the play through my personal experiences, publications of the Library of Egypt, Cairo.
Benedict, Roth (1959): Colors from the cultures of peoples, translation: Omar El-Desouki and others, review: Hassan Mohamed Gohar, Arab Statement Committee, Cairo.
Bougara, d. Noman (2009): Basic Terms in Text Linguistics and Discourse Analysis: A Lexical Study, First Edition, Modern Book World, Amman-Jordan.
Eurekaioni, Catherine Kerbera (2008): Al-Madhmar, translation by Rita Khater, Arab Organization for Translation, First Edition, Beirut.
Farid, Badri Hassoun, Abdul Hamid, Sami (1980): Principles of Theatrical Direction, Ministry of Higher Education - University of Baghdad – Iraq.
Farrah, Mohamed (2006): Theatrical Discourse and the Problem of Receiving: Models and Perceptions in Reading Theatrical Discourse, Casablanca Publications, First Edition, Morocco.
Fathi, Ibrahim (1986): A glossary of literary terms, workers' mutual support for printing and publishing: Tunisia.
Ghoneim, Syed Muhammad (1997): Psychology of Personality: Its Determinants, Measurements, Theories, Arab Renaissance House: Egypt.
Hammouda, Abdul Aziz (1997): Convex Mirrors: From Structuralism to Dismantling, Knowledge World Series, No. 252, National Council for Culture and Arts, Kuwait.
Ibn Manzur (1999): Lisan Al-Arab, Part Fourteenth, Third Edition, Dar Al-Turath Al-Arabi for Printing, Publishing and Distribution, Beirut.
Ibn Manzur (2010): Lisan Al-Arab, Part Eight, First Edition, Dar Al-Ahyaa Al-Arabiya for Printing, Publishing and Distribution: Beirut.
Ibrahim, Abdullah (2004): Conformity and difference Research in the criticism of cultural centralities, Arab Foundation for Studies and Publishing, first edition, Beirut.
Kassab, Hanan (1997): Marie Elias, Theatrical Lexicon: Concepts and Terms for Theater and Performing Arts, First Edition, The Library of Lebanon.
Kohler, Jonathan (2003): An Introduction to Literary Theory, translated by Mostafa Bayoumi Abdel Salam, Supreme Council for Culture, First Edition, Cairo.
Lokabance, Jean (1982): Literary Criticism and the Humanities, translated by Fahd Al-Akkam, Dar Al-Fikr Publications, First Edition, Damascus.
Lynton, Ralph (1967): Anthropology and the Crisis of the Modern World, translation: Abd al-Malik al-Nashef, Modern Library, First Edition, Beirut.
Masoud, Gibran (1992): Al-Raed Dictionary, 7th Edition, Dar Al-Alam for Millions: Beirut.
Quizel, Edith (1993): The Structural Era, translation: Jaber Asfour, first edition, Dar Suad Al-Sabah, Kuwait.
Qutus, Bassam (2006): An Introduction to Contemporary Criticism Curricula, Dar Al-Wafa Dunia for Printing and Publishing, First Edition, Alexandria.
Roushdy, Rashad (1998): the art of writing the play, Publications of the Egyptian General Book Authority, Cairo.
Shaheen, Muhammad (1991): Literature and Myth, Arab Foundation for Studies and Publishing, First Edition, Beirut.
Thales, Aristotle (1973): The Art of Poetry, translated by Abd al-Rahman al-Badawi, Publications of Culture House, Beirut.
Turquoise, Majd al-Din Muhammad bin Yaqoub (2005): The Ocean Dictionary, 8th Edition, Al-Resala Foundation for Printing, Publishing and Distribution, Beirut.
Youssef, Ahmed (2007): The Systematic Reading: The Authority of Structure and the Illusion of Modernity, Arab Science House, First Edition, Beirut
Zaid, Abdel-Muttalib (2005): Methods of Drawing the Theatrical Personality: Reading in the Play Cleopatra Shouqi’s Death, Dar Al-Gharib for Printing and Publishing, Second Edition, Cairo.
Zaid, Abdel-Muttalib (2005): Methods of Drawing the Theatrical Personality: Reading in the Play Cleopatra Shouqi’s Death, Dar Al-Gharib for Printing and Publishing, Second Edition, Cairo.
Downloads
Published
Issue
Section
License
Copyright and Licensing:
For all articles published in Al-Adab journal, copyright is retained by the authors. Articles are licensed under an open access Creative Commons CC BY 4.0 license, meaning that anyone may download and read the paper for free. In addition, the article may be reused and quoted provided that the original published version is cited. These conditions allow for maximum use and exposure of the work.
Reproducing Published Material from other Publishers: It is absolutely essential that authors obtain permission to reproduce any published material (figures, schemes, tables or any extract of a text) which does not fall into the public domain, or for which they do not hold the copyright. Permission should be requested by the authors from the copyrightholder (usually the Publisher, please refer to the imprint of the individual publications to identify the copyrightholder).
Permission is required for: Your own works published by other Publishers and for which you did not retain copyright.
Substantial extracts from anyones' works or a series of works.
Use of Tables, Graphs, Charts, Schemes and Artworks if they are unaltered or slightly modified.
Photographs for which you do not hold copyright.
Permission is not required for: Reconstruction of your own table with data already published elsewhere. Please notice that in this case you must cite the source of the data in the form of either "Data from..." or "Adapted from...".
Reasonably short quotes are considered fair use and therefore do not require permission.
Graphs, Charts, Schemes and Artworks that are completely redrawn by the authors and significantly changed beyond recognition do not require permission.
Obtaining Permission
In order to avoid unnecessary delays in the publication process, you should start obtaining permissions as early as possible. If in any doubt about the copyright, apply for permission. Al-Adab Journal cannot publish material from other publications without permission.
The copyright holder may give you instructions on the form of acknowledgement to be followed; otherwise follow the style: "Reproduced with permission from [author], [book/journal title]; published by [publisher], [year].' at the end of the caption of the Table, Figure or Scheme.