Violence in Martin McDonagh's The Pillowman

المؤلفون

  • Basma Abdulhasan Ali University of Baghdad
  • Sabah Atallah Diyaiy University of Baghdad

DOI:

https://doi.org/10.31973/aj.v2i136.1279

الكلمات المفتاحية:

Martin McDonough، Violence، In-yer-face thetare

الملخص

The 1990s have been of utmost importance for Ireland and the Irish as this decade is characterised by a great diversity of problems: economic problems, unemployment and  migration which came as a result of these problems, racial harassment experienced  abroad, psychological problems, the Troubles  whose serious impact was felt not only in  Northern Ireland but also in the Republic of Ireland, which emerged as a consequence of the conflict between the Catholics and the Protestants because of the political status  of Northern Ireland and which began at the end of the 1960s and ended in 1998 with Belfast Agreement; self-centeredness emerging as a repercussion of the Celtic Tiger period which was witnessed between 1995 and 2000 and which means economic development in Ireland, and, lastly, the problem of violence. Martin McDonagh, an

Anglo-Irish playwright represents these problems emphasising the problem of violence encountered in this decade in a satirical but grotesque way particularly in The Pillowman.

التنزيلات

تنزيل البيانات ليس متاحًا بعد.

المراجع

Fintan O'Toole, "The Pillowman Programme Note", in The Theatre of Martin McDonough: A World of Savage Stories, eds. Lilian Chambers and Eamonn Jordan, (Dublin: Carysfort Press Ltd. 2006), 1726.

Aleks Sierz, In-Yer-Face Theatre: British Drama Today, (London: Faber, 2001), 222.

Fintan O’Toole, 2006, ‘A Mind in Connemara: The savage world of Martin McDonagh’, The New Yorker, 06. 03. 2006, http://www.newyorker.com/archive/2006/03/06/060306fa_fact_otoole?currentPage=all. Retrieved in 24 August, 2017.

Mary Luckhurst, Lieutenant of Inishmore: Selling (- out) to the English. Contemporary Theatre Review, Vol. 14:4, (November, 2004), 116-129. In the Theatre of Martin McDonough: A World of Savage Stories, eds. Lilian Chambers and Eamonn Jordan, (Dublin: Carysfort Press Ltd. 2006), 117.

Werner Huber, "The Early Plays: Martin McDonough, Shooting Star and Hard Man from South London", in The Theatre of Martin McDonough: A World of Savage Stories, eds. Lilian Chambers and Eamonn Jordan, (Dublin: Carysfort Press Ltd. 2006), 93.

Aleks Sierz, what is In-Yer-Face Theatre? http://www.inyerfacetheatre.com/what.html, retrieved in 19 August, 2017.

Joan FitzPatrick Dean, "Tales Told by Martin McDonough" Nua: Studies in contemporary Irish Writing. Vol. 3, No. 1& 2. 2002. 57- 68. 64.

Etienne Krug, World report on Violence Health, (Geneva: World Health Organisation, 2002), 5.

Fintan O'Toole, "Murderous Laughter", The Irish Times, (24 June. 1997). In The Theatre of Conor McPherson: 'right Beside the Beyond', (Dublin: A Carysford Press Book, 2012), 1702.

Norma Alfonso, “Trapped in Ireland: Violence and Irishness in McDonagh’s The Beauty Queen of Leenane”, Anuario de la Facultad de Ciencias Humanas, 8, (2008), 239- 248.

Nicholas De Jongh, "Comedy with a Cruel Edge", London Evening Standard, (8 Jan. 1997). 48.

Fintan O'Toole, "Murderous Laughter" The Irish Times. 24 July. 1997.

O'Hogan, Sean. 'The Wild West'. The Guardian. 24 March. 2001. Retrieved 21 August, 2017. http://www.theguardian.com/lifeandstyle/2001/mar/24/weekend.sean.ohogan.

Greg Thorson, The New Grotesque the Theatre of Martin McDonagh and Tracy Letts, (Saarbrücken: VDM Verlag Dr. Müller, 2009), 5.

Leonard Schapiro, Totalitarianism, (London: MacMillan, 1983), 102- 103.

Eamonn Jordan, "War on Narrative: The Pillowman" in The Theatre of Martin McDonough: A World of Savage Stories, eds. Lilian Chambers and Eamonn Jordan, (Dublin: Carysfort Press Ltd. 2006), 887.

التنزيلات

منشور

2021-03-15

إصدار

القسم

علم اللغة والأدب الانجليزي

كيفية الاقتباس

Violence in Martin McDonagh’s The Pillowman. (2021). مجلة الآداب, 2(136), 1-10. https://doi.org/10.31973/aj.v2i136.1279

تواريخ المنشور

المؤلفات المشابهة

1-10 من 119

يمكنك أيضاً إبدأ بحثاً متقدماً عن المشابهات لهذا المؤلَّف.