A Comparative Study in the Poems of Iraj Mirza
DOI:
https://doi.org/10.31973/aj.v2i132.800Keywords:
iraj mirza, simile, persian poetry, folk poetry, innovation, imageryAbstract
Iraj Mirza has a special place among the poets of the constitutional era in Iran in terms of the special use of literary arrays in lecturing. The founder of folk poetry in Persian literature, he has not only changed the content and content of the poetry in accordance with the demands of the community, but has also developed a new way of speaking. In his creative work, Iraj had the slogan of simplification, and with this artistic aim he was able to save the style of Persian poetry from the complexity and artifice and bring it closer to the taste of the people.
In terms of understanding and understanding Iraj Mirza's innovations in Persian poetry, it is important to examine the simile in his poems. Because simile as the basis of imagination forms in any literary text, it reflects the way in which the poet expresses his thinking. Aspects and similar materials have a tremendous impact on the formation of the author's particular style.
This article discusses the types of similes in the court of Iraj Mirza and tries to clarify the aesthetic and emotional aspects of his works and to determine the role of Iraj in the process of literary modernization in Iran.
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References
Mahjub, Mohammad Ja'far: The Full Court of Iraj Mirza. fourth edition. Tehran.
Purnamdarian, Taqi (2002): Journey in May. Tehran.
Saremi, Soheila (2007): The Function of Language in the Poetry of Iraj Mirza. - Journal of Language and Linguistics. Third Period, Second Issue, Year
Shamisa, Cyrus (1992): A New Look at the Exquisite. Tehran.
Shamisa, Cyrus (2006): Expression. Tehran.
Usmanov, Mohammad Nouri (1974), Persian Poetry in the Tenth and Eleventh Centuries. Moscow.
Watawat, Rashid al-Din (1339): Divan, with introduction and correction by Saeed Nafisi. Tehran.
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