Self –Delusion in Doris Lessing's The Grass is Singing (1950)
DOI:
https://doi.org/10.31973/aj.v2i144.4038Keywords:
Doris Lessing, TGS, Racial Discrimination, Self-Delusion, PsychoanalysisAbstract
This study presents Doris Lessing as one of the most accomplished and significant British writers of the post-World War II generation. Her work looks into The Grass is Singing (1950) from a psychological, socio-cultural and economic point of view. It attempts to analyze the bleak and the tragic causes and effects of self-delusion in the lives of female and male characters alike in a racist society grappling with a number of deep-rooted social and political misconceptions and misjudgments. Moreover, it showcases a recycled series of psychological problems the main female protagonist faces due to her delusional beliefs which end only with her tragic death. It also sheds light on the importance of knowing oneself in a baffling and fragmented world enmeshed with people caught tight in the grip of self-made delusional conceptions in an attempt to cope with the challenges set by modern life. This fact can be discerned through the analysis of Lessing's representative novel: The Grass is Singing (1950) from Autobiographical, psychoanalytical and existentialist perspectives to make readers familiar with the destructive power of delusion and self-delusion in life. Lessing tackles issues that are at the essential concern to whole humanity around the world; therefore, this study can be taken as an attempt and an entry point of highlighting some aspects of the creative and innovative intellectual accomplishments of any truly concerned and committed writer with mankind problems in the world regardless to gender, race and educational and cultural background. The study is in two sections. Section one is concerned with the analysis of The Grass is Singing (its abbreviated form is TGS), and Lessing's narrative creativity through reader's concentration on causes rather than results. The second section presents racial discrimination and self-delusion in the text, taking childhood trauma into consideration and the issues of Marriage and Self- Delusion followed by conclusions and Bibliography.
Downloads
References
Abrams M. H., and Geoffery Galt Haphram. ed. A Glossary of Literary Terms. 9th ed. USA: Wadsworth, 2009.
Aghazadeh, Sima. “Sexual-Political Colonialism and Failure of Individuation in Doris Lessing’s The Grass is Singing”. University of Malaysia: Journal of Women Studies, 2013. Web. 10 May 2014. vc.bridgew.edu/cgi/viewcontent.cgi?article=1086&context=jiws
Ahmed, Mohammad Kaosar. “Doris Lessing’s The Grass is Singing: Anatomy of a female psyche in the midst of gender, race and class barrier”. Dhaka: International Islamic University Chittagong, 2013
Akhtar, Salman. Comprehensive Dictionary of Psychoanalysis. London: Karnac Books, 2009.
Beacham, Walton. “Techniques”, “Summary”. Bookrags.com. 2005. Web. z13 March 2013. http://www.bookrags.com/studyguide-grass-is-singing/techniques
Drabble, Margaret. The Oxford Companion to English Literature. 6th ed. Great Britain: Oxford University, 2000.
Fredrickson, G. Racism: A short history. New Jersey: Princeton University, 2002.
Galens, David. Literary Movements for Students.2 vols. USA: The Gale Group, 2002.
Gay. P. Freud: A Life For Our Time. USA: Norton & Company, 2006.
Hornby A.S. “delusion”, “racism”. Oxford Advanced Learner’s Dictionary. 5th ed. New York: Oxford University Press, 2000.
Lessing, Doris. The Grass is Singing. Originally Published 1950. New York: Harper Collins, 2000.
------------------. Under My Skin: Volume One of My Autobiography, to 1949. New York: Harper Collins, 1994.
--------------------. Walking in the Shade: Volume Two of My Autobiography 1949-1962. New York: Harper Collins, 1994.
Marchino, Lois A. “The Search for Self in the Novels of Doris Lessing”. University of Texas: Studies in the Novel, 1972. Web. 29 June 2013. www.jstore.org/stable/29531518
Martin, Alex, and Robert Hill. Modern Novels. GB: Prentice Hall International, 1996.
Perrakis, Phyllis S. “The Four Levels of Detachment in Doris Lessing’s Shikasta”. The Journal of Baha’i Studies. 14 (2014):73-97. Web. 3 Aug 2014. https://www.bahai-studies.ca/journal/files/jbs/14.3-4.Perrakis.pdf
Pickering, Jean. Marxism and Madness: The Two Faces of Doris Lessing’s Myth.”Doris Lessing. Eds. Margaret Church and William T. Stafford. Spec. issue of Modern Fiction Studies 26.1 (1980); 17-31.
Sabir, Jabar. Afsuni Geranawa: Lekolinaway Adabi Lebaray Romanawa. The Myth of Narration: Literary Studies on Novels. Slemani Directorate of Printing and Publications: Awena Print House, 2010.
Scott, Lynda. “Lessing’s Early and Transitional Novels: The Beginning of a Sense of Selfhood”. USA: University of Otago, 1998. http://www.otago.ac.nz/deepsouth/0498/0498lynda.htm
Smith, D.L. Approaching Psychoanalysis: An Introductory Course. London: Karnac Books, 1999.
Solzhenitsyn, Alexander. “The Twentieth Century: Modernisms and Modernity”. Norton Anthology of Western Literature.eds. Suzanne Conklin Akbari, et al. New York: Norton and Company, 2014.
Vianu, Lidia. An Image of Contemporary English Literature: 21st Century Desperado Literature. Bucharest: All Publishing House, 1999.
Wang, Joy. “White Postcolonial Guilt in Doris Lessing’s The Grass is Singing”. USA: Indiana University, 2013.
Wastberg, Per. "The Nobel Prize in Literature 2007 - Presentation Speech". Nobelprize.org. Nobel Media AB 2014. Web. 4 Oct 2014. https://www.nobelprize.org/nobel_prizes/literature/laureates/2007/presentation-speech.html
Webster, Merriam. “delusion”, “racism”, “trauma”. Merriam-Webster’s Advanced Learners’ English Dictionary. USA: Library of Congress, 2008.
Webster, Roger. Studying Literary Theory: An Introduction. GB: Athenaeum, 1990.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright and Licensing:
For all articles published in Al-Adab journal, copyright is retained by the authors. Articles are licensed under an open access Creative Commons CC BY 4.0 license, meaning that anyone may download and read the paper for free. In addition, the article may be reused and quoted provided that the original published version is cited. These conditions allow for maximum use and exposure of the work.
Reproducing Published Material from other Publishers: It is absolutely essential that authors obtain permission to reproduce any published material (figures, schemes, tables or any extract of a text) which does not fall into the public domain, or for which they do not hold the copyright. Permission should be requested by the authors from the copyrightholder (usually the Publisher, please refer to the imprint of the individual publications to identify the copyrightholder).
Permission is required for: Your own works published by other Publishers and for which you did not retain copyright.
Substantial extracts from anyones' works or a series of works.
Use of Tables, Graphs, Charts, Schemes and Artworks if they are unaltered or slightly modified.
Photographs for which you do not hold copyright.
Permission is not required for: Reconstruction of your own table with data already published elsewhere. Please notice that in this case you must cite the source of the data in the form of either "Data from..." or "Adapted from...".
Reasonably short quotes are considered fair use and therefore do not require permission.
Graphs, Charts, Schemes and Artworks that are completely redrawn by the authors and significantly changed beyond recognition do not require permission.
Obtaining Permission
In order to avoid unnecessary delays in the publication process, you should start obtaining permissions as early as possible. If in any doubt about the copyright, apply for permission. Al-Adab Journal cannot publish material from other publications without permission.
The copyright holder may give you instructions on the form of acknowledgement to be followed; otherwise follow the style: "Reproduced with permission from [author], [book/journal title]; published by [publisher], [year].' at the end of the caption of the Table, Figure or Scheme.