Charles Olson’s Historical Vision in “The Kingfishers

Authors

  • Aseel Abdul-Lateef Taha

DOI:

https://doi.org/10.31973/aj.v0i111.1533

Keywords:

/

Abstract

Charles Olson (1910–1970) is an American poet whose understanding of the poetic process is influenced by a broader perceptive of history. Trained primarily as a historian rather than as a literary scholar, he displayed much interest in cultural and historical issues. In his poem, “The Kingfishers” (1953), Olson takes on the role of the historical researcher. He tries to outline the historical and political dimensions of Western civilization. Olson’s poem is a detailed exploration of a historically critical subject which is the deterioration of the glory of the ancient cultures at the hand of the Western conquerors. It sheds light on the vanity of the perfection of European civilization. Olson attempts to create a new vision in which poetry appears as a vivid reflection of history

Downloads

Download data is not yet available.

References

Beach, Christopher. “History in a Cyclotron: Charles Olson As Poet-Historian and the Model of Ezra Pound.” ABC of Influence: Ezra Pound and the Remaking of American Poetic Tradition. Berkeley: University of California Press, 1992.

Byrd, Don. Charles Olson's Maximus. Urbana: University of Illinois Press, 1980.

Creeley, Robert. “Preface to Charles Olson: The Allegory of a Poet's Life, by Tom Clark.” http://www.english.illinois.edu/maps/poets/a_f/creeley/creeleyonolson.htm (accessed May 1, 2013).

Colby, Sasha. “ ‘Man came here by an intolerable way’: Charles Olson's Archaeology of Resistance.” Arizona Quarterly: A Journal of American Literature, Culture, and Theory. Vol. 65, No. 4 (Winter 2009): pp. 93-111.

“ Culhua-Mexica.” www.britannica.com/EBchecked/topic/46981/Aztec (accessed June 22, 2014).

Denbow, Jeremy, trans. A Season in Hell: An English Translation from the French. Lincoln: iUniverse, Inc., 2004.

Dewey, Anne Day. Beyond Maximus: the construction of public voice in Black Mountain poetry. Stanford: Stanford University Press, 2007.

Foster, Edward Halsey. Understanding the Black Mountain Poets. South Carolina: The university of south Carolina press,1995.

Frazer, James George. Totemism and Exogamy.Vol. II. New York :Cosimo, Inc., 2009.

Gadamer, Hans Georg. Truth and Method. New York: Seabury Press, 1975.

“Heraclitus,” plato.stanford.edu/entries/heraclitus/ (accessed August 12, 2014).

“Mao Tse Tung.” www.history.co.uk/biographies/mao-tse-tung (accessed June 22, 2014).
“Maya Civilization.” http://www.crystalinks.com/mayan.html (accessed May 1, 2013).

Maud, Ralph. “Charles Olson 's ‘archaic postmodern.’ ” charlesolson.org/Files/archaic1.htm (accessed October 16, 2013).

___________. What does not change: the significance of Charles Olson's "The Kingfishers." London: Fairleigh Dickinson University Press, 1998.

Mendelson, Daniel. “Rebel Rebel: Arthur Rimbaud’s brief career.” www.newyorker.com/magazine/2011/08/29/rebel-rebel (accessed May 1, 2013)

Olson, Charles. "Projective Verse." Collected Prose. Edited by Donald Allen and Benjamin Friedlander. University of California Press,1997.

____________. Call Me Ishmael. London: Jonathan Cape, 1967.

____________. The Collected Poems of Charles Olson. Edited by George F. Butterick. Berkeley: University of California press, 1987.

____________. “Human Universe.” The New Writing in the USA. Edited by
Robert Creeley. Harmondsworth, 1967.

____________. Selected Writings. Edited by Robert Creeley. New York: New Directions, 1966.

____________. The Special View of History. Edited by Ann Charters. Berkeley: Oyez, 1970.

Rosenthal, M. L. The New Poets: American and British Poetry Since World War II. New York Oxford University Press, 1967.

Rother, James. “Charles Olson's The Distances (1960): A Retrospective Essay.” www.cprw.com/Rother/olson.htm (accessed May 22, 2014).

Thurley, Geoffrey. “Balck Mountain Academy: Charles Olson as Critic and Poet.” The American Moment: American Poetry in the Mid-Century. London: Edward Arnold Publishers, Ltd, 1977.

Voyce, Stephen. Poetic Community: Avant-Garde activism and Cold War Culture. Toronto : University of Toronto press , 2013

Downloads

Published

2015-03-15

Issue

Section

English linguistics and literature

How to Cite

Charles Olson’s Historical Vision in “The Kingfishers. (2015). Al-Adab Journal, 111, 45-62. https://doi.org/10.31973/aj.v0i111.1533

Publication Dates