'The Color imagery in the poetry of Fityan Al-Shaghuri

  • خلود هاشم جوحي الوائلي General Directorate of Education Baghdad  Al- Karkh\2
Keywords: poetry, Fityan Al-Shaghuri

Abstract

Colors, shapes and types are divine miracles. This variation in colors in the universe and nature shows the differences in the creation of all the creatures. These features were reflected in great presence as well as other sources that manifest in women, wine, gray hair, wars and their tools in the poetic imagination of the Fityan Al- Shaghury. Therefore, this poet produced the finest poetic color images and showed these colors beautifully through symbol and inspiration as a sign of meanings that paints beautiful meanings that the readers agrees with it as being is familiar in the lives of people. Other mentions of the poet manifest in the paradoxes of artistic images of beautiful colors as the point where the base of the rhetorical styles that are combined to form these images, especially metaphor, anaphylaxis, antonomasia, implicit metaphor and diagnostic and visual visions, that had a clear effect in his images, which contribute to the level of rhythmic activity in the creative color imagery.

Downloads

Download data is not yet available.

Author Biography

خلود هاشم جوحي الوائلي, General Directorate of Education Baghdad  Al- Karkh\2

Kholoud Hashim Juhi AL-Wa'ily, Ph.D.

General Directorate of Education Baghdad  Al- Karkh\2

Department of Preparation and Training - Research and studies

References

The Holy Quran
Pasha, Amr Moussa (1967): “Literature of the successive countries: Zankis, Ayyubis and Mamluks”, House of Modern Thought, 1st edition.
Al-Basir, Kamel Hassan (1987): “Building the Artistic Image in the Arab Writing”, Publications of the Iraqi Academy of Sciences.
Okasha, Tharwat (1977): “Islamic, Religious and Arab Representation”, 1st Edition.
Badawi, Ahmed (----): “Literary Life in the Era of the Crusades in Egypt and Syria”, House of Nahdet Misr, Cairo, 1st edition.
Al-Eimad Asfahani (1955): “The Section of the Syrian Poetry”, verified by Shukri Faisal, Arab Scientific Academy, Damascus.
Diwan Al-Hutai'a (1958): verified by Naaman Amin, 1st Edition.
Al-Shaghouri, Fatayan (1955): Al-Diwan, verified by Ahmad Al-Jundi, The Hashemite Printing Press, Damascus, Syria.
Talo, Mohieddin (1961): “Painting and Color”, Atlas Library, Damascus, Syria.
Saleh, Qassim Hussein (1982): “Psychology of Perception of Color and Shape”, Dar Al-Rasheed, Baghdad, Iraq.
Hanbali, Ahmed bin Ibrahim, (876H): “Healing Hearts in Mneib Beni Ayoub Poetry”, verified by Nazim Rashid (1978), Ministry of Culture and Arts.
Nassif, Mustafa (1982): “The Literary Image”, Dar Al-Andalus Press, Beirut, Lebanon, 3rd Edition.
Lewis, C. D (1982): “The Poetic Image, translated by Ahmed Nasif Al-Janabi, Dar Al-Rasheed Publishing, Baghdad, Iraq.
Al-Musli, Abn Al-Shea'ar (1990): “Qalladat Joman: Poets of this Time”, Institute of the History of Arabic and Islamic Sciences.
Ibn Manzoor, Muhammad ibn Makram bin Ali, Abu al-Fadl, Jamal al-Din al-Ansari (711H) (----): “Sanan Al-Arab”, Selected Workers in Dar Al-Ma'arif Press.
Al-Hamawi, Yaqout (626H): “The Dictionary of Countries”, Presented by Mohamed Abdel-Rahman Al-Marashli (2008), Dar Al-Arabiya Press, Beirut, Lebanon, 1st Edition.
Al-Atabeki, bin Tijri Barada (1970): “The Stars of the Kings of Egypt and Cairo”, Egyptian General Establishment for Publishing, Cairo, Egypt.
Ibn Khalkan, Abu Abbas (681H) (1972): “Deaths of the Figures and the News of the Sons of Time”, Ihsan Abbas, Dar Sader Press, Beirut, Lebanon.
Al-Jader, Mahmoud (1990): “Performance by Genre in the poetry of Zuhair ibn Abi Salma, Journal of the Faculty of Education, University of Al-Mustansiriya, No. 2.
Published
2019-12-28
How to Cite
الوائليخ. (2019). ’The Color imagery in the poetry of Fityan Al-Shaghuri. Al-Adab Journal (ISSN: 1994473X), (131), 67-88. Retrieved from http://aladabj.uobaghdad.edu.iq/index.php/aladabjournal/article/view/694
Section
Articles