Aesthetic values in the poetry of Ibn Meknasa (T 510 e)
The Fatimid era, which began in the middle of the fourth century AH, was the first beginning of Egyptian poetry. The Egyptian environment was not filled with poetry except through the poets who came from abroad, When the Fatimids ascended the podium in Egypt, several princes and leaders emerged as a means of glorifying them, so the poets were keen to perfect their advice. To gain favor from leaders and princes, the famous poets of the Fatimid period were Tamim bin al-Mu'izz al-Fatimi, and Sharif Aqili and Zafar Haddad.
The choice of the poet Ibn Meknasa reviewed; the lack of studies that dealt with his hair; and the containment of his poetry on the values of aesthetic and through the linguistic structures and evidence.
The study was based on several sections that formed a structural framework for the research. It includes three axes preceded by a theoretical introduction representing the station known as the concept of beauty and its values, with the definition of the personality studied, followed by a conclusion and summarizing the results we reached.
In the first axis, we discussed the aesthetics of linguistic expression. We studied the individual and its effect in the textualization of the moral and contextual beauty, as well as the study of linguistic methods and structures and their role in enriching the poetic text. While we devoted the second axis to study the aesthetics of the visual composition in the son of a broom, we studied the metaphorical and metaphorical and structural composition, as well as the study of the two interfaces. His hair is a painting in which he relied on the power of his imagination and ability.
In the last axis we studied the aesthetics of rhythm in the hair of the broom son, and through him the effect of the imaginary pigmental pigment in the coherence of poetic text
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